By Jason Hardy
I’m always amused by the rush to the cell phones with stage management announces “please take a 10-minute break” in rehearsal. Within moments, singers reach for their various devices and are whisked away to another part of the world. Some may laugh while exchanging text messages from friends while others make a quick call to see how their kids are doing. We check our email, give our regularly-scheduled status updates on our Facebook or Twitter page, or perhaps do a bit of web surfing. We can check the NBA scores from last night, get movie showtimes, find out how much snow has fallen back home, and find out what new life-altering technology is about to be released by Apple.
And we can do all of this from our cell phones!
Technology is so cool. Except when it isn’t.
I hate my cell phone. A few days ago, I had just finished a conversation with my kids when my “smartphone” became totally useless.
Let me tell you – nothing gets the brain more focused on logistics than figuring out when and where one can go to get a cell phone fixed or replaced. What a hassle!!!!
My phone is my constant companion, and it’s moments such as these that I realize just how much I rely on this little bit of technology. How else can I get a play-by-play about a family wedding I missed , find out how many girl scout cookies my daughter sold, or hear details of my son’s audition for the school play.
On the road we miss a lot of holidays and special events, taking comfort in that voice or those thumbs on the other end of our cell phone. This weekend is Valentine’s Day, for instance. However, it just so happens that this time, thanks to ANOTHER marvel of engineering and technology, my Valentine is flying here to see me this weekend. In fact, she arrives this afternoon!
So I’ve gotta run to rehearsal. During my first break, you can bet I’ll be checking the latest weather forecast, track the real-time status of her flight , and figure out showtimes for our movie date tonight.
I love my cell phone.
Jason Hardy appears with Opera Omaha as Figaro in The Marriage of Figaro, Mozart’s Comic Masterpiece.
Mr. Hardy was most recently seen in the title role in Le nozze di Figaro with Opera Cleveland, Cadmus/Somnus in Semele with Florentine Opera, Leporello in Don Giovanni with Connecticut Opera, Colline in La Bohème with Nashville Opera, and as the bass soloist in Stravinsky’s Les Noces with the New York City Ballet, and the Los Angeles Philharmonic. 2009-2010 engagements include Leporello in Don Giovanni with Cincinnati Chamber Orchestra, Figaro in Le nozze di Figaro Opera Birmingham, and a return to Atlanta Opera as the Speaker in Die Zauberflöte. Concert engagements include Haydn’s Lord Nelson Mass with National Philharmonic, the Mozart Requiem with the Alabama Symphony Orchestra, Handel’s Messiah with the Richmond Symphony, and a recital under the auspices of the Marilyn Horne Foundation.
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Friday | February 26, 2010 | 7:30p
Sunday | February 28, 2010 | 2:00p